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		<summary type="html">&lt;p&gt;Created page&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|American author (1917–1994)}}&lt;br /&gt;
{{Use mdy dates|date=June 2026}}&lt;br /&gt;
[[File:Peter Taylor in 1941 (cropped).jpg|thumb|upright|Taylor in 1941]]&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Matthew Hillsman Taylor Jr.&amp;#039;&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;{{cite news|first=Hubert H.|last=McAlexander|title=Peter Taylor|date=September 30, 2001|accessdate=October 17, 2017|newspaper=New York Times|url=https://www.nytimes.com/2001/09/30/books/chapters/peter-taylor.html}}&amp;lt;/ref&amp;gt; (January 8, 1917 – November 2, 1994), known professionally as &amp;#039;&amp;#039;&amp;#039;Peter Taylor&amp;#039;&amp;#039;&amp;#039;, was an American novelist, short story writer, and playwright.&amp;lt;ref&amp;gt;{{cite news|author=Gussow, Mel|author-link=Mel Gussow|title=Peter Taylor, Short-Story Master, Dies at 77|date=November 4, 1994|newspaper=New York Times|url=https://www.nytimes.com/1994/11/04/obituaries/peter-taylor-short-story-master-dies-at-77.html}}&amp;lt;/ref&amp;gt; Born and raised in [[Tennessee]] and [[St. Louis, Missouri]], he wrote frequently about the urban South in his stories and novels.&lt;br /&gt;
&lt;br /&gt;
==Early life and education==&lt;br /&gt;
Taylor was born in [[Trenton, Tennessee]], to [[Hillsman Taylor|Matthew Hillsman &amp;quot;Red&amp;quot; Taylor]], a prominent attorney who played [[American football|football]] at [[Vanderbilt University]] in 1904 and 1905, and Katherine Baird (Taylor) Taylor. His father was named after Matthew Hillsman, a long-time local Baptist pastor.  His father&amp;#039;s father, Colonel Robert Zachary Taylor, had fought for the [[Confederate Army]] as a private under [[Nathan Bedford Forrest]]. When working in 1908 as an attorney for the West Tennessee Land Company, which had bought interests in property at [[Reelfoot Lake]], he was kidnapped with attorney Quentin Rankin in October and shot by [[The Night Riders|night riders]], who were harassing and intimidating people associated with the company. Initially reported as killed, Taylor escaped by swimming across the lake.&amp;lt;ref&amp;gt;{{cite news|title=Lawyer Escapes Mob|url=http://chroniclingamerica.loc.gov/lccn/sn87060004/1908-10-22/ed-1/seq-1/|accessdate=February 8, 2012|newspaper=The Bee |location=Earlington, Kentucky|date=October 22, 1908|page=1}}&amp;lt;/ref&amp;gt; Rankin was shot and hanged the same night.&amp;lt;ref&amp;gt;{{cite web|url=https://query.nytimes.com/gst/abstract.html?res=F10A15FD3C5D16738DDDA80A94D8415B888CF1D3 |title=Night Riders Slay Lawyers |work=New York Times |date=October 21, 1908 |accessdate=December 16, 2011}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
His mother&amp;#039;s father was [[Robert Love Taylor]], a politician and writer from eastern Tennessee who served one term as a US Congressman, and three two-year terms as governor of Tennessee in the 19th century, and as [[United States Senate|United States Senator]] from Tennessee from 1907 until his death in 1912.&amp;lt;ref&amp;gt;{{cite book|last=Alexander|first=Hubert Horton|title=Peter Taylor: A Writer&amp;#039;s Life|year=2001|publisher=Louisiana State University Press|isbn=0-8071-2973-9|pages=1–6|url=https://books.google.com/books?id=_rkj3qrcyyUC}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
During his early childhood, Taylor lived with his family in Nashville. The family moved to [[St. Louis, Missouri|St. Louis]] in 1926 when Taylor&amp;#039;s father became president of the [[General American Life Insurance Company]]. In St. Louis, Taylor attended the [[Rossman School]] and [[St. Louis Country Day School]]. In 1932, the family moved to [[Memphis, Tennessee|Memphis]], where his father established a law practice. Taylor graduated from [[Central High School (Memphis, Tennessee)|Central High School]] in Memphis in 1935. He wrote his first published piece while there, an interview with actress [[Katharine Cornell]].&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.com/books?id=_rkj3qrcyyUC&amp;amp;q=memphis|title=Peter Taylor: A Writer&amp;#039;s Life|first=Hubert Horton|last=McAlexander|date=January 29, 2004|publisher=LSU Press|isbn=9780807129739|via=Google Books}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
After a [[gap year]] in which he traveled to England, Taylor enrolled at Southwestern at Memphis (now [[Rhodes College]]) in 1936, studying under the critic [[Allen Tate]].  Tate encouraged Taylor to transfer to [[Vanderbilt University]], which he later left to continue studying with the great American [[critic]] and poet [[John Crowe Ransom]] at [[Kenyon College]] in [[Gambier, Ohio]]. Poet [[Robert Lowell]] from Boston was also enrolled there and they became lifelong friends.  Taylor also befriended [[Robert Penn Warren]], [[Randall Jarrell]], [[Katherine Anne Porter]], [[Jean Stafford]], [[James Thackara]], [[Robie Macauley]] and other significant literary figures of the time.&amp;lt;ref name=&amp;quot;McAlexander2004&amp;quot;&amp;gt;{{cite book|author=Hubert Horton McAlexander|title=Peter Taylor: A Writer&amp;#039;s Life|url=https://books.google.com/books?id=_rkj3qrcyyUC&amp;amp;pg=PR14|access-date=January 15, 2012|date=April 2004|publisher=LSU Press|isbn=978-0-8071-2973-9|pages=xiv, 50}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Career==&lt;br /&gt;
Considered to be one of the finest American short story writers, Taylor made his fictional milieu the urban South, with references to its history.&amp;lt;ref&amp;gt;Howard, 1969: Taylor  &amp;quot;is one of the best writers America has ever produced.&amp;quot;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Giroux, 1995: &amp;quot;Peter&amp;#039;s [[A Long Fourth and Other Stories|first book of stories]] came out in 1948 with a glowing preface by [[Robert Penn Warren]] and reviews comparing him to [[Anton Chekhov|Chekhov]].&amp;quot;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Warren, 1948 p. viii&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Robison, 1988 p. 11: Reference to Warren praise for Taylor and his genre.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
His characters, usually middle or upper-class white people, often are living in a time of change in the 20th century, and struggle to discover and define their roles in society.&amp;lt;ref&amp;gt;Gudas, 2018: &amp;quot;Taylor invites readers into the domestic lives of prosperous, strait-laced, white Southerners—primarily Tennesseans—between the 1920s and &amp;#039;40s.&amp;quot;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Towers, 1985:  Taylor&amp;#039;s work typically &amp;quot;deals with a minor crisis affecting affluent families in one of the larger cities of the middle South,&amp;quot; often Memphis, Nashville or Louisville, &amp;quot;and the families belong to the upper reaches of its society.&amp;quot;&amp;lt;br&amp;gt;Brown, 1962 p. 588: &amp;quot;A Long Fourth was introduced by [[Robert Penn Warren]], who described its subject as &amp;#039;...the contemporary, urban, middle-class world of the upper South... It is a world vastly uncertain of itself and the ground of its values, caught in a tangle of modern commercialism and traditions and conventions gone to seed…&amp;#039;&amp;quot;&amp;lt;br&amp;gt;Robison, 1988 p. 12: See here for class orientation of Taylor&amp;#039;s white characters.&amp;lt;/ref&amp;gt; Taylor was &amp;quot;among the first to discover that the Southern city—not town—had literary possibilities.&amp;quot;&amp;lt;ref&amp;gt;Sullivan, 1972 p. 89, p. 16 in Robison&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Robinson, 1986: &amp;quot;a characteristic stratum of society whose members are both provincial and urbane, descended from plantation-owning stock…These are not the tormented souls we are accustomed to finding in literature of the South. &amp;quot;&amp;lt;/ref&amp;gt; Though the legacy of the American Civil War and &amp;quot;the collapse of the old Southern order&amp;quot; is evident in Taylor&amp;#039;s fiction, his work does not present an elegy for the &amp;#039;&amp;#039;[[Antebellum South|ante bellum period]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;Robison, 1988 p. 12&amp;lt;/ref&amp;gt; When black hired servants appear in Taylor&amp;#039;s fiction, they often provide ironic insights into the declining family relations and social order of those they serve.&amp;lt;ref&amp;gt;Robison, 1988 p. 32&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
His collection &amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039; (1985) won the [[PEN/Faulkner Award]]. Taylor also wrote three novels, including &amp;#039;&amp;#039;[[A Summons to Memphis]]&amp;#039;&amp;#039; in 1986, for which he won the 1987 [[Pulitzer Prize for Fiction]], and &amp;#039;&amp;#039;In the Tennessee Country&amp;#039;&amp;#039; in 1994.  Taylor taught literature and writing at [[Kenyon College]] and at the [[University of Virginia]].&lt;br /&gt;
&lt;br /&gt;
He was married for fifty-one years to the poet [[Eleanor Ross Taylor]] and died in [[Charlottesville, Virginia]], in 1994. His papers&amp;lt;ref&amp;gt;{{Cite web|url=http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu03829.xml&amp;amp;doc.view=print;chunk.id=|title=A Guide to the Papers of Peter Hillsman Taylor, 1948-1977: #10265,-b|website=ead.lib.virginia.edu}}&amp;lt;/ref&amp;gt; are held at the [[Albert and Shirley Small Special Collections Library]] at the [[University of Virginia]].&lt;br /&gt;
&lt;br /&gt;
He was a Charter member of the [[Fellowship of Southern Writers]]. He corresponded with literary critic [[M. Bernetta Quinn]].&amp;lt;ref name=&amp;quot;:12&amp;quot;&amp;gt;{{Cite book |last=Ripatrazone |first=Nick |url=https://www.jstor.org/stable/j.ctv2xkjp9p |title=The Habit of Poetry: The Literary Lives of Nuns in Mid-century America |date=2023 |publisher=1517 Media |isbn=978-1-5064-7112-9 |chapter=Sister Mary Bernetta Quinn: Woman of Letters |doi=10.2307/j.ctv2xkjp9p.7|jstor=j.ctv2xkjp9p }}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:3&amp;quot;&amp;gt;{{Cite web |title=Mary Bernetta Quinn Papers, 1937-1998 |url=https://finding-aids.lib.unc.edu/04307/ |access-date= |website=Wilson Special Collections Library of UNC-Chapel Hill}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite web |title=Sister Mary Bernetta Quinn papers |url=https://archives.yale.edu/repositories/11/resources/1438 |url-status= |access-date= |website=Beinecke Rare Book and Manuscript Library of Yale University}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Library of America]] published a two-volume &amp;#039;&amp;#039;Complete Stories&amp;#039;&amp;#039; in 2017.&lt;br /&gt;
&lt;br /&gt;
== Works ==&lt;br /&gt;
&lt;br /&gt;
===Short story collections===&lt;br /&gt;
*&amp;#039;&amp;#039;[[A Long Fourth and Other Stories]]&amp;#039;&amp;#039;, introduction by Robert Penn Warren, Harcourt, 1948.&lt;br /&gt;
*&amp;#039;&amp;#039;The Widows of Thornton&amp;#039;&amp;#039; (includes a play), Harcourt, 1954, reprinted, Louisiana State University Press, 1994.&lt;br /&gt;
*&amp;#039;&amp;#039;[[Happy Families Are All Alike: A Collection of Stories]]&amp;#039;&amp;#039;, Astor Honor, 1959.&lt;br /&gt;
*&amp;#039;&amp;#039;Miss Leonora When Last Seen and Fifteen Other Stories&amp;#039;&amp;#039;, Astor Honor, 1963.&lt;br /&gt;
*&amp;#039;&amp;#039;[[The Collected Stories of Peter Taylor]]&amp;#039;&amp;#039;, Farrar, Straus, 1969.&amp;lt;ref&amp;gt;{{cite news|title=Second Reading: Jonathan Yardley reviews &amp;#039;The Collected Stories of Peter Taylor&amp;#039;|newspaper=The Washington Post|date=January 1, 2010|url=https://www.washingtonpost.com/wp-dyn/content/article/2009/12/31/AR2009123102650.html}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;#039;&amp;#039;[[In the Miro District and Other Stories]]&amp;#039;&amp;#039;, Knopf, 1977.&lt;br /&gt;
*&amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;, Dial, 1985.&lt;br /&gt;
*&amp;#039;&amp;#039;The Oracle at Stoneleigh Court&amp;#039;&amp;#039;, Knopf, 1993.&lt;br /&gt;
*&amp;#039;&amp;#039;Peter Taylor: Complete Stories 1938 to 1959&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Library of America&amp;#039;&amp;#039;, 2017&lt;br /&gt;
&lt;br /&gt;
===Novels===&lt;br /&gt;
*&amp;#039;&amp;#039;A Woman of Means&amp;#039;&amp;#039;, Harcourt, 1950; reprinted, Frederic C. Beil, 1983, Picador, 1996.&lt;br /&gt;
*&amp;#039;&amp;#039;[[A Summons to Memphis]]&amp;#039;&amp;#039;, Knopf, 1986.&lt;br /&gt;
*&amp;#039;&amp;#039;In the Tennessee Country&amp;#039;&amp;#039;, Knopf, 1994.&lt;br /&gt;
&lt;br /&gt;
===Plays===&lt;br /&gt;
*&amp;#039;&amp;#039;Tennessee Day in St. Louis&amp;#039;&amp;#039;, Random House, 1959.&lt;br /&gt;
*&amp;#039;&amp;#039;A Stand in the Mountains&amp;#039;&amp;#039;, published in Kenyon Review, 1965; reprinted, Frederic C. Beil, 1985.&lt;br /&gt;
*&amp;#039;&amp;#039;Presences: Seven Dramatic Pieces&amp;#039;&amp;#039; (contains &amp;quot;Two Images,&amp;quot; &amp;quot;A Father and a Son,&amp;quot; &amp;quot;Missing Person,&amp;quot; &amp;quot;The Whistler,&amp;quot; &amp;quot;Arson,&amp;quot; &amp;quot;A Voice through the Door,&amp;quot; and &amp;quot;The Sweethearts&amp;quot;), Houghton, 1973.&lt;br /&gt;
&lt;br /&gt;
===Short stories===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
|-&lt;br /&gt;
! Title !! Publication !! Collected in&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Party&amp;quot; || &amp;#039;&amp;#039;River&amp;#039;&amp;#039; (March 1937) || rowspan=3| &amp;#039;&amp;#039;Complete Stories 1938-1959&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Lady Is Civilized&amp;quot; || &amp;#039;&amp;#039;River&amp;#039;&amp;#039; (April 1937)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Life Before&amp;quot; || &amp;#039;&amp;#039;[[Kenyon College|HIKA]]&amp;#039;&amp;#039; (November 1939)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Cookie&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;Middle-Age&amp;quot; || &amp;#039;&amp;#039;HIKA&amp;#039;&amp;#039; (December 1939)&amp;lt;br&amp;gt;&amp;#039;&amp;#039;[[The New Yorker]]&amp;#039;&amp;#039; (November 6, 1948) (revised) || &amp;#039;&amp;#039;The Widows of Thornton&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;Miss Leonora When Last Seen&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;A Spinster&amp;#039;s Tale&amp;quot; || &amp;#039;&amp;#039;[[The Southern Review]]&amp;#039;&amp;#039; (Autumn 1940) || rowspan=3| &amp;#039;&amp;#039;A Long Fourth and Other Stories&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;Miss Leonora When Last Seen&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Skyline&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;Winged Chariot&amp;quot; || &amp;#039;&amp;#039;The Southern Review&amp;#039;&amp;#039; (Winter 1941)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Fancy Woman&amp;quot; || &amp;#039;&amp;#039;The Southern Review&amp;#039;&amp;#039; (Summer 1941)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;A Walled Garden&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;Like the Sad Heart of Ruth&amp;quot; || &amp;#039;&amp;#039;[[The New Republic]]&amp;#039;&amp;#039; (December 8, 1941) || &amp;#039;&amp;#039;Happy Families Are All Alike&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The School Girl&amp;quot; || &amp;#039;&amp;#039;American Prefaces&amp;#039;&amp;#039; (Spring 1942) || rowspan=2| &amp;#039;&amp;#039;Complete Stories 1938-1959&amp;#039;&amp;#039;&lt;br /&gt;
|- &lt;br /&gt;
| &amp;quot;Attendant Evils&amp;quot; || &amp;#039;&amp;#039;A [[Vanderbilt University|Vanderbilt]] Miscellany&amp;#039;&amp;#039; (1944)&lt;br /&gt;
|- &lt;br /&gt;
| &amp;quot;Rain in the Heart&amp;quot; || &amp;#039;&amp;#039;[[The Sewanee Review]]&amp;#039;&amp;#039; (Winter 1945) || rowspan=3| &amp;#039;&amp;#039;A Long Fourth and Other Stories&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;&lt;br /&gt;
|- &lt;br /&gt;
| &amp;quot;The Scoutmaster&amp;quot; || &amp;#039;&amp;#039;[[Partisan Review]]&amp;#039;&amp;#039; (Summer 1945)&lt;br /&gt;
|- &lt;br /&gt;
| &amp;quot;A Long Fourth&amp;quot; || &amp;#039;&amp;#039;The Sewanee Review&amp;#039;&amp;#039; (Summer 1946)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Allegiance&amp;quot; || &amp;#039;&amp;#039;[[The Kenyon Review]]&amp;#039;&amp;#039; (Spring 1947) || &amp;#039;&amp;#039;A Long Fourth and Other Stories&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;Miss Leonora When Last Seen&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Casa Anna&amp;quot;* || &amp;#039;&amp;#039;[[Harper&amp;#039;s Bazaar]]&amp;#039;&amp;#039; (November 1948) || rowspan=2| * Excerpt from &amp;#039;&amp;#039;A Woman of Means&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Dudley for the Dartmouth Cup&amp;quot;* || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (May 28, 1949)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Porte-Cochere&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (July 16, 1949) || &amp;#039;&amp;#039;The Widows of Thornton&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;A Wife of Nashville&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (December 3, 1949) || &amp;#039;&amp;#039;The Widows of Thornton&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;Miss Leonora When Last Seen&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Uncles&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (December 17, 1949) || &amp;#039;&amp;#039;Complete Stories 1938-1959&amp;#039;&amp;#039;&lt;br /&gt;
|- &lt;br /&gt;
| &amp;quot;Their Losses&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (March 11, 1950) || rowspan=2| &amp;#039;&amp;#039;The Widows of Thornton&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;Miss Leonora When Last Seen&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;What You Hear From &amp;#039;Em?&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (February 10, 1951)&lt;br /&gt;
|- &lt;br /&gt;
| &amp;quot;Two Ladies in Retirement&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (March 31, 1951) || &amp;#039;&amp;#039;The Widows of Thornton&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;&lt;br /&gt;
|- &lt;br /&gt;
| &amp;quot;Bad Dreams&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (May 19, 1951) || &amp;#039;&amp;#039;The Widows of Thornton&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;Miss Leonora When Last Seen&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Dark Walk&amp;quot; || &amp;#039;&amp;#039;Harper&amp;#039;s Bazaar&amp;#039;&amp;#039; (March 1954) || &amp;#039;&amp;#039;The Widows of Thornton&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;1939&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;A Sentimental Journey&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (March 12, 1955) || rowspan=2| &amp;#039;&amp;#039;Happy Families Are All Alike&amp;#039;&amp;#039;&lt;br /&gt;
|- &lt;br /&gt;
| &amp;quot;The Other Times&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (February 23, 1957)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Promise of Rain&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;The Unforgivable&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (January 25, 1958) || &amp;#039;&amp;#039;Happy Families Are All Alike&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Venus, Cupid, Folly and Time&amp;quot; || &amp;#039;&amp;#039;The Kenyon Review&amp;#039;&amp;#039; (Spring 1958) || rowspan=2| &amp;#039;&amp;#039;Happy Families Are All Alike&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Je Suis Perdu&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;A Pair of Bright-Blue Eyes&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (June 7, 1958)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Little Cousins&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;Cousins, Family Life, Family Love, All That&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (April 25, 1959) || rowspan=2| &amp;#039;&amp;#039;Happy Families Are All Alike&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;A Friend and Protector&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;Who Was Jesse&amp;#039;s Friend and Protector?&amp;quot; || &amp;#039;&amp;#039;The Kenyon Review&amp;#039;&amp;#039; (Summer 1959)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Heads of Houses&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (September 12, 1959) || rowspan=2| &amp;#039;&amp;#039;Happy Families Are All Alike&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Guests&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (October 3, 1959)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Miss Leonora When Last Seen&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (November 19, 1960) || rowspan=2| &amp;#039;&amp;#039;Miss Leonora When Last Seen&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Reservations: A Love Story&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (February 25, 1961)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Nerves&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (September 16, 1961) || &amp;#039;&amp;#039;The Oracle at Stoneleigh Court&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;An Overwhelming Question&amp;quot; || &amp;#039;&amp;#039;Encounter&amp;#039;&amp;#039; (March 1962) || &amp;#039;&amp;#039;Miss Leonora When Last Seen&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;#039;&amp;#039;The Oracle at Stoneleigh Court&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;At the Drugstore&amp;quot; || &amp;#039;&amp;#039;The Sewanee Review&amp;#039;&amp;#039; (Autumn 1962) || &amp;#039;&amp;#039;Miss Leonora When Last Seen&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Demons&amp;quot; a.k.a. &amp;quot;A Strange Story&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (August 24, 1963) || &amp;#039;&amp;#039;The Oracle at Stoneleigh Court&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Two Pilgrims&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (September 7, 1963) || &amp;#039;&amp;#039;Miss Leonora When Last Seen&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;There&amp;quot; || &amp;#039;&amp;#039;The Kenyon Review&amp;#039;&amp;#039; (Winter 1964) || &amp;#039;&amp;#039;The Collected Stories of Peter Taylor&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Throughway&amp;quot; || &amp;#039;&amp;#039;The Sewanee Review&amp;#039;&amp;#039; (Autumn 1964) || &amp;#039;&amp;#039;In the Miro District&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The End of Play&amp;quot; || &amp;#039;&amp;#039;[[Virginia Quarterly Review]]&amp;#039;&amp;#039; (Spring 1965) || &amp;#039;&amp;#039;The Oracle at Stoneleigh Court&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;A Cheerful Disposition&amp;quot; || &amp;#039;&amp;#039;The Sewanee Review&amp;#039;&amp;#039; (Spring 1967) || &amp;#039;&amp;#039;Complete Stories 1960-1992&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Mrs. Billingsby&amp;#039;s Wine&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (October 14, 1967) || rowspan=2| &amp;#039;&amp;#039;The Collected Stories of Peter Taylor&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;First Heat&amp;quot; || &amp;#039;&amp;#039;[[Shenandoah (magazine)|Shenandoah]]&amp;#039;&amp;#039; (Winter 1968)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Decline and Fall of the Episcopal Church in the Year of Our Lord 1952&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;Tom, Tell Him&amp;quot; || &amp;#039;&amp;#039;The Sewanee Review&amp;#039;&amp;#039; (Spring 1968) || &amp;#039;&amp;#039;The Oracle at Stoneleigh Court&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Elect&amp;quot; || &amp;#039;&amp;#039;[[McCall&amp;#039;s]]&amp;#039;&amp;#039; (April 1968) || rowspan=2| &amp;#039;&amp;#039;The Collected Stories of Peter Taylor&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Dean of Men&amp;quot; || &amp;#039;&amp;#039;Virginia Quarterly Review&amp;#039;&amp;#039; (Spring 1969)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Daphne&amp;#039;s Lover&amp;quot; || &amp;#039;&amp;#039;The Sewanee Review&amp;#039;&amp;#039; (Spring 1969) || rowspan=4| &amp;#039;&amp;#039;In the Miro District&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Instruction of a Mistress&amp;quot; || &amp;#039;&amp;#039;The New Review&amp;#039;&amp;#039; (September 1974)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Hand of Emmagene&amp;quot; || &amp;#039;&amp;#039;Shenandoah&amp;#039;&amp;#039; (Winter 1975)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Three Heroines&amp;quot; || &amp;#039;&amp;#039;Virginia Quarterly Review&amp;#039;&amp;#039; (Spring 1975)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Megalopolitans&amp;quot; || &amp;#039;&amp;#039;[[Ploughshares]]&amp;#039;&amp;#039; (Fall 1975) || &amp;#039;&amp;#039;Complete Stories 1960-1992&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Captain&amp;#039;s Son&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (January 12, 1976) || rowspan=3| &amp;#039;&amp;#039;In the Miro District&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Her Need&amp;quot; || &amp;#039;&amp;#039;Shenandoah&amp;#039;&amp;#039; (Summer 1976)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;In the Miro District&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (February 7, 1977)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Old Forest&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (May 14, 1979) || rowspan=2| &amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Gift of the Prodigal&amp;quot; || &amp;#039;&amp;#039;The New Yorker&amp;#039;&amp;#039; (June 1, 1981)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Witch of Owl Mountain Springs: An Account of Her Remarkable Powers&amp;quot; || &amp;#039;&amp;#039;The Kenyon Review&amp;#039;&amp;#039; (Winter 1991) || rowspan=5| &amp;#039;&amp;#039;The Oracle at Stoneleigh Court&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Oracle at Stoneleigh Court&amp;quot; || &amp;#039;&amp;#039;New Virginia Review&amp;#039;&amp;#039; (Summer 1992)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;At the Art Theater&amp;quot; || &amp;#039;&amp;#039;[[Greensboro Review]]&amp;#039;&amp;#039; (Summer 1992)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;In the Waiting Room&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;The Waiting Room&amp;quot; || &amp;#039;&amp;#039;The Southern Review&amp;#039;&amp;#039; (Autumn 1992)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;The Real Ghost&amp;quot;&amp;lt;br&amp;gt;a.k.a. &amp;quot;Reflections&amp;quot; || -&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Other===&lt;br /&gt;
(Editor with Robert Lowell and Robert Penn Warren)&amp;#039;&amp;#039; Randall Jarrell, 1914-1965&amp;#039;&amp;#039;, Farrar, Straus, 1967.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Peter Taylor Reading and Commenting on His Fiction&amp;#039;&amp;#039; (audio tape), Archive of Recorded Poetry and Literature, 1987.&lt;br /&gt;
&lt;br /&gt;
==Awards and honors==&lt;br /&gt;
* 1986 &amp;amp;ndash; [[PEN/Faulkner Award for Fiction]] for &amp;#039;&amp;#039;The Old Forest and Other Stories&amp;#039;&amp;#039;&lt;br /&gt;
* 1987 &amp;amp;ndash; [[Pulitzer Prize for Fiction]] for &amp;#039;&amp;#039;A Summons to Memphis&amp;#039;&amp;#039;&lt;br /&gt;
* 1993 &amp;amp;ndash; [[PEN/Malamud Award]] for &amp;quot;excellence in the art of the short story&amp;quot;&lt;br /&gt;
&lt;br /&gt;
== Footnotes ==&lt;br /&gt;
{{reflist|colwidth=30em}}&lt;br /&gt;
&lt;br /&gt;
==Sources==&lt;br /&gt;
*[[Ann Beattie|Beattie, Ann]]. 2017. Interview: &amp;quot;Ann Beattie on the short fiction of Peter Taylor: &amp;quot;He just transcends every category.&amp;quot; &amp;#039;&amp;#039;[[Library of America]]&amp;#039;&amp;#039;, November 6, 2017.https://www.loa.org/news-and-views/1340-ann-beattie-on-the-short-fiction-of-peter-taylor-he-just-transcends-every-category/   Accessed April 30, 2026.&lt;br /&gt;
*[[Robert Giroux|Giroux, Robert]]. 1995. &amp;quot;LIVES WELL LIVED: PETER TAYLOR; Peter&amp;#039;s Friend.&amp;quot; &amp;#039;&amp;#039;[[New York Times]]&amp;#039;&amp;#039;, January 1, 1995. Check this URL https://www.nytimes.com/1995/01/01/magazine/lives-well-lived-peter-taylor-peters-friend.html     Accessed April 14, 2026.&lt;br /&gt;
*Guda, Eric. 2018. &amp;quot;The Acceptance of Certain Mysteries: Peter Taylor&amp;#039;s &amp;#039;Complete Stories.&amp;#039;&amp;quot; [[Los Angeles Review of Books]]. January 8, 2018. https://lareviewofbooks.org/article/the-acceptance-of-certain-mysteries-peter-taylors-complete-stories/   Accessed May 4, 2026.&lt;br /&gt;
*[[Richard Howard|Howard, Richard]]. 1969. &amp;quot;The Collected Stories of Peter Taylor&amp;quot; &amp;#039;&amp;#039;[[New York Times]]&amp;#039;&amp;#039;, October 19, 1969. https://www.nytimes.com/1969/10/19/archives/the-collected-stories-of-peter-taylor-535-pp-new-york-farrar-straus.html  Accessed April 15, 2026.&lt;br /&gt;
*[[Marilynne Robinson|Robinson, Marilynn]]. 1986. &amp;quot;The Family Game Was Revenge.&amp;quot; &amp;#039;&amp;#039;[[New York Times]]&amp;#039;&amp;#039;, October 19, 1986.https://www.nytimes.com/1986/10/19/books/the-family-game-was-revenge.html   Accessed April 29, 2026.&lt;br /&gt;
*Robison, James Curry. 1988. &amp;#039;&amp;#039;Peter Taylor: A Study of the Short Fiction.&amp;#039;&amp;#039; Twanyes Publishers, Boston. &amp;#039;&amp;#039;[[G. K. Hall &amp;amp; Co.]]&amp;#039;&amp;#039;, [[Gordon Weaver]], General Editor. {{ ISBN  | 0-8057-8303-2}}&lt;br /&gt;
*[[Robert Towers|Towers, Robert]]. 1985. &amp;quot;A Master of the Miniature Novel.&amp;quot; [[New York Times]], February 17, 1985. https://archive.nytimes.com/www.nytimes.com/books/98/12/06/specials/taylor-forest.html  Accessed April 14, 2026.&lt;br /&gt;
*[[Robert Penn Warren|Warren, Robert Penn]]. 1948. Introduction to &amp;#039;&amp;#039;A Long Fourth and Other Stories&amp;#039;&amp;#039;. pp. viii-x &amp;#039;&amp;#039;[[Harcourt (publisher)|Harcourt Brace Jovanich]]&amp;#039;&amp;#039;, New York. {{OCLC | 30069097}}&lt;br /&gt;
*[[Walter Sullivan (novelist)|Sullivan, Walter]]. 1972. &amp;quot;In Time of the Breaking of the Nations: The Decline of Southern Fiction.&amp;quot; in Death By Melancholy: Essays on Modern Southern Literature. [[Louisiana State University Press]], Baton Rouge. {{ISBN  | 978-0807102367 }} from &amp;#039;&amp;#039;Peter Taylor: A Study of the Short Fiction.&amp;#039;&amp;#039; Twanye Publishers, Boston. &amp;#039;&amp;#039;[[G. K. Hall &amp;amp; Co.]]&amp;#039;&amp;#039;, [[Gordon Weaver]], General Editor. p.&amp;amp;nbsp;16. {{ ISBN  | 0-8057-8303-2}}&lt;br /&gt;
&lt;br /&gt;
==Further reading==&lt;br /&gt;
*&amp;#039;&amp;#039;Peter Taylor: A Writer&amp;#039;s Life&amp;#039;&amp;#039; by Hubert H. McAlexander, Louisiana State University Press, 2001&lt;br /&gt;
*[https://www.jstor.org/pss/4337918 &amp;quot;Peter Taylor: The Undergraduate Years at Kenyon,&amp;quot; by Hubert H. McAlexander, &amp;#039;&amp;#039;The Kenyon Review,&amp;#039;&amp;#039; New Series, Vol. 21, No. 3/4 (Summer - Autumn, 1999)]&lt;br /&gt;
* Inventory of the Peter Taylor papers at  Vanderbilt University, https://web.archive.org/web/20100620103320/http://www.library.vanderbilt.edu/speccol/pdf/taylor_peter.pdf&lt;br /&gt;
* Inventory of the [http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu03829.xml;query=;brand=default Peter Hillsman Taylor Papers] at the [[Albert and Shirley Small Special Collections Library]], University of Virginia&lt;br /&gt;
*{{cite interview |interviewer=Barbara Thompson Davis |title=Peter Taylor, The Art of Fiction No. 99 |url=http://www.theparisreview.org/interviews/2631/the-art-of-fiction-no-99-peter-taylor |date=Fall 1987 |periodical=[[The Paris Review]] |issue=104}}&lt;br /&gt;
*[https://digital.lib.ecu.edu/special/ead/findingaids/1169-013 Stuart Wright Collection: Peter Hillsman Taylor Papers (#1169-013), East Carolina Manuscript Collection, J. Y. Joyner Library, East Carolina University]&lt;br /&gt;
*{{cite interview |interviewer=James Dickey |title=LC Performance. Interview. John Updike and Peter Taylor |url=https://www.youtube.com/watch?v=n6twIOC7mIo |periodical=[[Library of Congress]] }}&lt;br /&gt;
&lt;br /&gt;
{{PulitzerPrize Fiction 1976–2000}}&lt;br /&gt;
&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Taylor, Peter}}&lt;br /&gt;
[[Category:20th-century American novelists]]&lt;br /&gt;
[[Category:Writers from Nashville, Tennessee]]&lt;br /&gt;
[[Category:1917 births]]&lt;br /&gt;
[[Category:1994 deaths]]&lt;br /&gt;
[[Category:Rhodes College alumni]]&lt;br /&gt;
[[Category:Kenyon College alumni]]&lt;br /&gt;
[[Category:Kenyon College faculty]]&lt;br /&gt;
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[[Category:PEN/Faulkner Award for Fiction winners]]&lt;br /&gt;
[[Category:University of Virginia faculty]]&lt;br /&gt;
[[Category:20th-century American dramatists and playwrights]]&lt;br /&gt;
[[Category:20th-century American male dramatists and playwrights]]&lt;br /&gt;
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[[Category:20th-century American short story writers]]&lt;br /&gt;
[[Category:Writers of American Southern literature]]&lt;br /&gt;
[[Category:O. Henry Award winners]]&lt;br /&gt;
[[Category:PEN/Malamud Award winners]]&lt;br /&gt;
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[[Category:Central High School (Memphis, Tennessee) alumni]]&lt;br /&gt;
[[Category:Dramatists and playwrights from Tennessee]]&lt;br /&gt;
[[Category:Dramatists and playwrights from Missouri]]&lt;/div&gt;</summary>
		<author><name>Deleatur yhe</name></author>
	</entry>
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