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		<summary type="html">&lt;p&gt;Created page&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|French writer (1858–1915)}}&lt;br /&gt;
{{Infobox writer&lt;br /&gt;
| embed            = &lt;br /&gt;
| honorific_prefix = &lt;br /&gt;
| name             = Remy de Gourmont&lt;br /&gt;
| honorific_suffix = &lt;br /&gt;
| image            = Portrait of Remy de Gourmont by Dufau.jpg&lt;br /&gt;
| image_size       = &lt;br /&gt;
| image_upright    = &lt;br /&gt;
| alt              = &lt;br /&gt;
| caption          = Portrait by [[Clémentine-Hélène Dufau|Hélène Dufau]]&lt;br /&gt;
| native_name      = &lt;br /&gt;
| native_name_lang = &lt;br /&gt;
| pen_name         = &lt;br /&gt;
| birth_date       = 4 April 1858&lt;br /&gt;
| birth_place      = [[Bazoches-au-Houlme]]&lt;br /&gt;
| death_date       = 27 September 1915&lt;br /&gt;
| death_place      = [[Paris]]&lt;br /&gt;
| resting_place    = &lt;br /&gt;
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| genre            = &lt;br /&gt;
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| movement         = [[Symbolism (movement)|Symbolism]]&lt;br /&gt;
| notable_works    = &amp;#039;&amp;#039;The Book of Masks&amp;#039;&amp;#039;&amp;lt;br /&amp;gt;&amp;#039;&amp;#039;Esthetique de la langue française&amp;#039;&amp;#039;&amp;lt;br /&amp;gt;&amp;#039;&amp;#039;Le Problème du style&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;{{cite book |last1=France |first1=Peter |title=The New Oxford Companion to Literature in French |date=1995 |publisher=Clarendon Press |isbn=9780198661252 |page=353}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Remy de Gourmont&amp;#039;&amp;#039;&amp;#039; (4 April 1858 – 27 September 1915) was a French [[Symbolism (movement)|Symbolist]] poet, [[novelist]], and influential [[literary criticism|critic]].  He was widely read in his era, and an important influence on [[Blaise Cendrars]] and [[Georges Bataille]].&amp;lt;ref&amp;gt;Gourmont was Georges Bataille&amp;#039;s bedtime reading as a student. Michel Surya, &amp;#039;&amp;#039;Georges Bataille: an intellectual biography&amp;#039;&amp;#039;, New York: Verso, 2002, p. 27-28.&amp;lt;/ref&amp;gt; The spelling &amp;#039;&amp;#039;Rémy&amp;#039;&amp;#039; de Gourmont is incorrect, albeit common.&lt;br /&gt;
&lt;br /&gt;
==Life==&lt;br /&gt;
Gourmont was born at [[Bazoches-au-Houlme]], [[Orne]], into a [[publishing]] family from [[Cotentin]]. He was the son of [[Count]] Auguste-Marie de Gourmont and his countess, born Mathilde de Montfort. In 1866 he moved to a manor close to [[Villedieu-les-Poêles|Villedieu]] near [[English Channel|La Manche]]. He studied [[law]] at [[Caen]], and was awarded a bachelor&amp;#039;s degree in law in 1879; upon his graduation he moved to Paris. In 1881, Gourmont was employed by the [[Bibliothèque nationale]]. He began to write for general circulation periodicals such as &amp;#039;&amp;#039;[[Le Monde (Paris, 1860)|Le Monde]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Le Contemporain]]&amp;#039;&amp;#039;. He took an interest in ancient literature, following the footsteps of [[Gustave Kahn]]. During this period, he also met [[Berthe Courrière]], model for, and heir of, the sculptor [[Auguste Clésinger]], with whom he formed a lifelong attachment, he and Berthe living together for the rest of their lives.&lt;br /&gt;
&lt;br /&gt;
Gourmont also began a literary alliance with [[Joris-Karl Huysmans]], to whom he dedicated his prose work &amp;#039;&amp;#039;Le Latin mystique&amp;#039;&amp;#039; (Mystical Latin). In 1889 Gourmont became one of the founders of the &amp;#039;&amp;#039;[[Mercure de France]]&amp;#039;&amp;#039;, which became a rallying point of the Symbolist movement.&amp;lt;ref&amp;gt;Burne, Glen S. (1963). &amp;#039;&amp;#039;Remy de Gourmont: His Ideas and Influence in England and America.&amp;#039;&amp;#039; Carbondale: Southern Illinois University Press.&amp;lt;/ref&amp;gt; Between 1893 and 1894 he was the co-editor, along with [[Alfred Jarry]], of &amp;#039;&amp;#039;[[L&amp;#039;Ymagier]]&amp;#039;&amp;#039;, a magazine dedicated to symbolist wood carvings. In 1891 he published a polemic called &amp;#039;&amp;#039;Le Joujou Patriotisme&amp;#039;&amp;#039; (Patriotism, a toy) in which he argued that France and Germany shared an aesthetic culture and urged a rapprochement between the two countries, contrary to the wishes of nationalists in the French government. This political essay led to his losing his job at the Bibliothèque Nationale,&amp;lt;ref&amp;gt;Curtis, Michael (1959). &amp;#039;&amp;#039;Three Against the Third Republic: Sorel, Barrès and Maurras&amp;#039;&amp;#039;. New Brunswick: Transaction Publishers, p. 40.&amp;lt;/ref&amp;gt; despite [[Octave Mirbeau]]&amp;#039;s chronicles.{{clarify|date=May 2022}}&lt;br /&gt;
&lt;br /&gt;
[[Image:Picture of Gourmont, Symons and Ellis.jpg|220px|thumb|Gourmont, [[Arthur Symons]] and [[Havelock Ellis]].]]&lt;br /&gt;
During this same period, Gourmont was stricken with [[lupus vulgaris]].&amp;lt;ref&amp;gt;{{cite journal | last = Denkinger | first = Marc | title = Remy de Gourmont Critique | journal = PMLA | volume = 52 | issue = 4 | date = 1937 | pages = 1148 | doi = 10.2307/458509 | jstor=458509| s2cid = 163530219 }} Denkinger refers to the disease as &amp;quot;lupus tuberculeux&amp;quot;, apparently lupus vulgaris, which is a form of tuberculosis of the skin, unrelated to [[systemic lupus erythematosus]], the disease now commonly known as lupus.&amp;lt;/ref&amp;gt;  Disfigured by this illness, he largely retired from public view appearing only at the offices of the &amp;#039;&amp;#039;Mercure de France&amp;#039;&amp;#039;. In 1910, Gourmont met [[Natalie Clifford Barney]], to whom he dedicated his &amp;#039;&amp;#039;Lettres à l&amp;#039;Amazone&amp;#039;&amp;#039; (Letters to the Amazon).&lt;br /&gt;
&lt;br /&gt;
Gourmont&amp;#039;s health continued to decline and he began to suffer from [[locomotor ataxia]] and be increasingly unable to walk. He was deeply depressed by the outbreak of [[World War I]] and died in [[Paris]] of [[cerebral congestion]] in 1915. Berthe Courrière was his sole heir, inheriting a substantial body of unpublished work which she sent to his brother Jean de Gourmont, and dying within the year. Gourmont and Courrière are buried Chopin&amp;#039;s tomb in [[Père-Lachaise Cemetery]].&lt;br /&gt;
&lt;br /&gt;
==Works==&lt;br /&gt;
Gourmont was a literary critic and essayist of great importance, most notably his &amp;#039;&amp;#039;Le Problème du Style&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;Gourmont, Remy de (1902). [https://gallica.bnf.fr/ark:/12148/bpt6k99853s &amp;#039;&amp;#039;Le Probleme du Style.&amp;#039;&amp;#039;] Paris: Société du Mercure de France.&amp;lt;/ref&amp;gt; Created in response to [[Antoine Albalat]]&amp;#039;s &amp;#039;&amp;#039;The Art of Writing in Twenty Lessons&amp;#039;&amp;#039; (1899),&amp;lt;ref&amp;gt;{{cite web|last1=Mattix|first1=Micah|date=28 May 2014|title=The Art of Writing Well|url=https://www.theamericanconservative.com/prufrock/the-art-of-writing-well/|access-date=17 Aug 2016|website=theamericanconservative.com|publisher=The American Conservative}}&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Le Problème du Style&amp;#039;&amp;#039; was a source book for many of the ideas that inspired the literary developments in both England and France&amp;lt;ref&amp;gt;Read, Herbert (1957). &amp;#039;&amp;#039;The Tenth Muse.&amp;#039;&amp;#039; London: Routledge and Kegan Paul.&amp;lt;/ref&amp;gt; and was also admired by [[T. S. Eliot]] and [[Ezra Pound]] in that capacity.&lt;br /&gt;
&lt;br /&gt;
His novels, in particular &amp;#039;&amp;#039;Sixtine&amp;#039;&amp;#039;, explore the theme of [[Schopenhauerian]] [[Idealism]] with its emphasis on individual [[subjectivity]], as well as the [[Decadent movement|Decadent]] relationship between sexuality and artistic creativity.&amp;lt;ref&amp;gt;{{cite book |last1=France |first1=Peter |title=The New Oxford Companion to Literature in French |date=1995 |publisher=Clarendon Press |isbn=9780198661252 |page=353}}&amp;lt;/ref&amp;gt; In 1922 [[Aldous Huxley]] translated Gourmont&amp;#039;s novel &amp;#039;&amp;#039;A Virgin Heart&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;[https://archive.org/stream/cihm_71634#page/n7/mode/2up &amp;#039;&amp;#039;A Virgin Heart&amp;#039;&amp;#039;] (translator Aldous Huxley) Toronto: Musson Books, 1922.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Gourmont&amp;#039;s poetic works include &amp;#039;&amp;#039;Litanies de la Rose&amp;#039;&amp;#039; (1892), &amp;#039;&amp;#039;Les Saintes du Paradis&amp;#039;&amp;#039; (1898), and &amp;#039;&amp;#039;Divertissements&amp;#039;&amp;#039; (1912). His anthology &amp;#039;&amp;#039;Hieroglyphes&amp;#039;&amp;#039; (1894), contains his experiments with the possibilities of sound and rhythm.&amp;lt;ref&amp;gt;Burne (1963).&amp;lt;/ref&amp;gt; It plunges from perhaps ironic piety to equally ironic blasphemy, reflecting, more than anything else, his interest in medieval [[Latin literature]], and his works led to a fad for late Latin literature among authors like [[Joris-Karl Huysmans]]. Pound observed in 1915 that the English [[Imagist]] poetic movement derived from the French &amp;#039;&amp;#039;[[Symbolism (movement)|Symbolistes]]&amp;#039;&amp;#039;,&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;The Ezra Pound Encyclopedia&amp;#039;&amp;#039;, Ed., Demetres P. Tryphonopoulos and Stephen Adams. Westport, Conn.: Greenwood Press, 2005, p. 227.&amp;lt;/ref&amp;gt; Eliot describing Gourmont as the &amp;quot;critical conscience of his generation&amp;quot;.&amp;lt;ref&amp;gt;Eliot, T.S. (1928). Preface to &amp;#039;&amp;#039;The Sacred Wood.&amp;#039;&amp;#039; London: Methuen &amp;amp; Co.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
{{Div col|colwidth=30em}}&lt;br /&gt;
&lt;br /&gt;
===Poetry===&lt;br /&gt;
* &amp;#039;&amp;#039;Litanies de la Rose&amp;#039;&amp;#039; (1892).&lt;br /&gt;
* &amp;#039;&amp;#039;Fleurs de Jadis&amp;#039;&amp;#039; (1893).&lt;br /&gt;
* &amp;#039;&amp;#039;Hiéroglyphes&amp;#039;&amp;#039; (1894).&lt;br /&gt;
* &amp;#039;&amp;#039;Les Saintes du Paradis&amp;#039;&amp;#039; (1899).&lt;br /&gt;
* &amp;#039;&amp;#039;Oraisons Mauvaises&amp;#039;&amp;#039; (1900).&lt;br /&gt;
* &amp;#039;&amp;#039;Simone&amp;#039;&amp;#039; (1901).&lt;br /&gt;
* &amp;#039;&amp;#039;Divertissements&amp;#039;&amp;#039; (1912).&lt;br /&gt;
* &amp;#039;&amp;#039;Poésies Inédites&amp;#039;&amp;#039; (1921).&lt;br /&gt;
* &amp;#039;&amp;#039;Rimes Retrouvées&amp;#039;&amp;#039; (1979).&lt;br /&gt;
* &amp;#039;&amp;#039;L&amp;#039;Odeur des Jacynthes&amp;#039;&amp;#039; (1991).&lt;br /&gt;
&lt;br /&gt;
===Fiction===&lt;br /&gt;
* &amp;#039;&amp;#039;Merlette&amp;#039;&amp;#039; (novel, 1886).&lt;br /&gt;
* &amp;#039;&amp;#039;Sixtine&amp;#039;&amp;#039; (novel, 1890).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Fantôme&amp;#039;&amp;#039; (1893).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Château Singulier&amp;#039;&amp;#039; (1894).&lt;br /&gt;
* &amp;#039;&amp;#039;Proses Moroses&amp;#039;&amp;#039; (short stories, 1894).&lt;br /&gt;
* &amp;#039;&amp;#039;Histoire Tragique de la Princesse Phénissa&amp;#039;&amp;#039; (1894).&lt;br /&gt;
* &amp;#039;&amp;#039;Histoires Magiques&amp;#039;&amp;#039; (1884).&lt;br /&gt;
* &amp;#039;&amp;#039;Phocas&amp;#039;&amp;#039; (1895).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Pèlerin du Silence&amp;#039;&amp;#039; (1896).&lt;br /&gt;
* &amp;#039;&amp;#039;Les Chevaux de Diomède&amp;#039;&amp;#039; (novel, 1897).&lt;br /&gt;
* &amp;#039;&amp;#039;D&amp;#039;un Pays Lointain. Miracles. Visages de Femmes&amp;#039;&amp;#039; (1898).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Songe d&amp;#039;une Femme&amp;#039;&amp;#039; (novel, 1899).&lt;br /&gt;
* &amp;#039;&amp;#039;Une Nuit au Luxembourg&amp;#039;&amp;#039; (1906).&lt;br /&gt;
* &amp;#039;&amp;#039;Un Cœur Virginal&amp;#039;&amp;#039; (1907).&lt;br /&gt;
* &amp;#039;&amp;#039;Couleurs, Contes Nouveaux Suivi de Choses Anciennes&amp;#039;&amp;#039; (1908).&lt;br /&gt;
* &amp;#039;&amp;#039;Lettres d&amp;#039;un Satyre&amp;#039;&amp;#039; (1913).&lt;br /&gt;
* &amp;#039;&amp;#039;Lettres à l&amp;#039;Amazone&amp;#039;&amp;#039; (1914).&lt;br /&gt;
* &amp;#039;&amp;#039;Monsieur Croquant&amp;#039;&amp;#039; (1918).&lt;br /&gt;
* &amp;#039;&amp;#039;La Patience de Grisélidis&amp;#039;&amp;#039; (1920).&lt;br /&gt;
* &amp;#039;&amp;#039;Lettres à Sixtine&amp;#039;&amp;#039; (1921).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Vase Magique&amp;#039;&amp;#039; (1923).&lt;br /&gt;
* &amp;#039;&amp;#039;Fin de Promenade et Trois Autres Contes&amp;#039;&amp;#039; (short stories, 1925).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Désarroi&amp;#039;&amp;#039; (novel, 2006).&lt;br /&gt;
&lt;br /&gt;
===Theatre===&lt;br /&gt;
* &amp;#039;&amp;#039;Lilith&amp;#039;&amp;#039; (1892).&lt;br /&gt;
* &amp;#039;&amp;#039;Théodat&amp;#039;&amp;#039; (1893).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Vieux Roi&amp;#039;&amp;#039; (1897).&lt;br /&gt;
* &amp;#039;&amp;#039;L&amp;#039;Ombre d&amp;#039;une Femme&amp;#039;&amp;#039; (1923).&lt;br /&gt;
&lt;br /&gt;
===Nonfiction===&lt;br /&gt;
* &amp;#039;&amp;#039;Un Volcan en Éruption&amp;#039;&amp;#039; (1882).&lt;br /&gt;
* &amp;#039;&amp;#039;Une Ville Ressuscitée&amp;#039;&amp;#039; (1883).&lt;br /&gt;
* &amp;#039;&amp;#039;Bertrand Du Guesclin&amp;#039;&amp;#039; (1883).&lt;br /&gt;
* &amp;#039;&amp;#039;Tempêtes et Naufrages&amp;#039;&amp;#039; (1883).&lt;br /&gt;
* &amp;#039;&amp;#039;Les Derniers Jours de Pompéi&amp;#039;&amp;#039; (1884).&lt;br /&gt;
* &amp;#039;&amp;#039;En Ballon&amp;#039;&amp;#039; (1884).&lt;br /&gt;
* &amp;#039;&amp;#039;Les Français au Canada et en Acadie&amp;#039;&amp;#039; (1888).&lt;br /&gt;
* &amp;#039;&amp;#039;Chez les Lapons, Mœurs, Coutumes et Légendes de la Laponie Norvégienne&amp;#039;&amp;#039; (1890).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Joujou Patriotisme&amp;#039;&amp;#039; (1891).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Latin Mystique. Les Poètes de l&amp;#039;Antiphonaire et la Symbolique au Moyen Âge&amp;#039;&amp;#039; (with a preface by [[J. K. Huysmans]], 1892).&lt;br /&gt;
* &amp;#039;&amp;#039;L&amp;#039;Idéalisme&amp;#039;&amp;#039; (1893).&lt;br /&gt;
* &amp;#039;&amp;#039;L&amp;#039;Ymagier&amp;#039;&amp;#039; (with [[Alfred Jarry]], 1896).&lt;br /&gt;
* &amp;#039;&amp;#039;La Poésie Populaire&amp;#039;&amp;#039; (1896).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Livre des Masques&amp;#039;&amp;#039; (1896).&lt;br /&gt;
* &amp;#039;&amp;#039;Almanach de &amp;quot;L&amp;#039;Ymagier&amp;quot;, Zodiacal, Astrologique, Littéraire, Artistique, Magique, Cabalistique et Prophétique&amp;#039;&amp;#039; (1897).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Deuxième Livre des Masques&amp;#039;&amp;#039; (1898).&lt;br /&gt;
* &amp;#039;&amp;#039;Esthétique de la Langue Française&amp;#039;&amp;#039; (1899).&lt;br /&gt;
* &amp;#039;&amp;#039;La Culture des Idées&amp;#039;&amp;#039; (1900).&lt;br /&gt;
* Preface to &amp;#039;&amp;#039;Les Petites Revues&amp;#039;&amp;#039; (1900).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Chemin de Velours&amp;#039;&amp;#039; (1902).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Problème du Style&amp;#039;&amp;#039; (1902).&lt;br /&gt;
* &amp;#039;&amp;#039;Épilogues: Réflexions sur la Vie, 1895-1898&amp;#039;&amp;#039; (1903).&lt;br /&gt;
* &amp;#039;&amp;#039;Physique de l&amp;#039;Amour. Essai sur l&amp;#039;Instinct Sexuel&amp;#039;&amp;#039; (1903).&lt;br /&gt;
* &amp;#039;&amp;#039;Promenades Littéraires&amp;#039;&amp;#039; (1904).&lt;br /&gt;
* &amp;#039;&amp;#039;Judith Gautier&amp;#039;&amp;#039; (1904).&lt;br /&gt;
* &amp;#039;&amp;#039;Promenades Philosophiques&amp;#039;&amp;#039; (1905).&lt;br /&gt;
* &amp;#039;&amp;#039;Dante, Béatrice et la Poésie Amoureuse. Essai sur l&amp;#039;Idéal Féminin en Italie à la Fin du XIIIe Siècle&amp;#039;&amp;#039; (1908).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Chat de Misère. Idées et Images&amp;#039;&amp;#039; (1912).&lt;br /&gt;
* &amp;#039;&amp;#039;La Petite Ville&amp;#039;&amp;#039; (1913).&lt;br /&gt;
* &amp;#039;&amp;#039;Des pas sur le Sable&amp;#039;&amp;#039; (1914).&lt;br /&gt;
* &amp;#039;&amp;#039;La Belgique Littéraire&amp;#039;&amp;#039; (1915).&lt;br /&gt;
* &amp;#039;&amp;#039;Pendant l&amp;#039;Orage, Bois d&amp;#039;André Rouveyre&amp;#039;&amp;#039; (1915).&lt;br /&gt;
* &amp;#039;&amp;#039;Dans la Tourmente (Avril-juillet 1915)&amp;#039;&amp;#039; (with a preface by {{Interlanguage link|Jean de Gourmont|fr|3=Jean de Gourmont (écrivain)}}, 1916).&lt;br /&gt;
* &amp;#039;&amp;#039;Pendant la Guerre. Lettres pour l&amp;#039;Argentine&amp;#039;&amp;#039; (with a preface by Jean de Gourmont, 1917).&lt;br /&gt;
* &amp;#039;&amp;#039;Les Idées du Jour&amp;#039;&amp;#039; (1918).&lt;br /&gt;
** Vol. I: &amp;#039;&amp;#039;(Octobre 1914-avril 1915)&amp;#039;&amp;#039;.&lt;br /&gt;
** Vol. II: &amp;#039;&amp;#039;(Mai 1915-septembre 1915)&amp;#039;&amp;#039;.&lt;br /&gt;
* &amp;#039;&amp;#039;Trois Légendes du Moyen Âge&amp;#039;&amp;#039; (1919).&lt;br /&gt;
* &amp;#039;&amp;#039;Pensées Inédites&amp;#039;&amp;#039; (with a Preface by [[Guillaume Apollinaire]], 1920).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Livret de &amp;quot;L&amp;#039;Ymagier&amp;quot;&amp;#039;&amp;#039; (1921).&lt;br /&gt;
* &amp;#039;&amp;#039;Petits Crayons&amp;#039;&amp;#039; (1921).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Puits de la Vérité&amp;#039;&amp;#039; (1922).&lt;br /&gt;
* &amp;#039;&amp;#039;Dernières Pensées Inédites&amp;#039;&amp;#039; (1924).&lt;br /&gt;
* &amp;#039;&amp;#039;Dissociations&amp;#039;&amp;#039; (1925).&lt;br /&gt;
* &amp;#039;&amp;#039;Nouvelles Dissociations&amp;#039;&amp;#039; (1925).&lt;br /&gt;
* &amp;#039;&amp;#039;La Fin de l&amp;#039;Art&amp;#039;&amp;#039; (1925).&lt;br /&gt;
* &amp;#039;&amp;#039;Les Femmes et le Langage&amp;#039;&amp;#039; (1925).&lt;br /&gt;
* &amp;#039;&amp;#039;Deux Poètes de la Nature: Bryant et Emerson&amp;#039;&amp;#039; (1925).&lt;br /&gt;
* &amp;#039;&amp;#039;Le Joujou et Trois Autres Essais&amp;#039;&amp;#039; (1926).&lt;br /&gt;
* &amp;#039;&amp;#039;Lettres Intimes à l’Amazone&amp;#039;&amp;#039; (1926).&lt;br /&gt;
* &amp;#039;&amp;#039;Promenades Littéraires&amp;#039;&amp;#039; (1929).&lt;br /&gt;
&lt;br /&gt;
===In English translation===&lt;br /&gt;
* &amp;#039;&amp;#039;Morose Vignettes&amp;#039;&amp;#039; (1894).&lt;br /&gt;
* &amp;#039;&amp;#039;The Horses of Diomedes&amp;#039;&amp;#039; (1897).&lt;br /&gt;
* &amp;#039;&amp;#039;From a Faraway Land&amp;#039;&amp;#039; (1898).&lt;br /&gt;
* [https://archive.org/stream/nightinluxembour00gouruoft#page/n7/mode/2up &amp;#039;&amp;#039;A Night in the Luxembourg&amp;#039;&amp;#039;] (with preface by [[Arthur Ransome]], 1912).&lt;br /&gt;
* &amp;quot;A French View of &amp;#039;Kultur&amp;#039;,&amp;quot; &amp;#039;&amp;#039;The New Republic&amp;#039;&amp;#039; (1915).&lt;br /&gt;
* &amp;#039;&amp;#039;Theodat, a Play&amp;#039;&amp;#039; (1916).&lt;br /&gt;
* [https://archive.org/stream/philosophicnight00gour#page/n3/mode/2up &amp;#039;&amp;#039;Philosophic Nights in Paris&amp;#039;&amp;#039;] (1920).&lt;br /&gt;
* [http://babel.hathitrust.org/cgi/pt?id=mdp.39015011020909;view=1up;seq=287 &amp;quot;Dust for Sparrows,&amp;quot;] [http://babel.hathitrust.org/cgi/pt?id=mdp.39015011020909;view=1up;seq=472 Part II], [http://babel.hathitrust.org/cgi/pt?id=mdp.39015011020909;view=1up;seq=600 Part III], [http://babel.hathitrust.org/cgi/pt?id=mdp.39015011020909;view=1up;seq=755 Part IV], &amp;#039;&amp;#039;The Dial,&amp;#039;&amp;#039; Vol. LXIX, 1920; [http://babel.hathitrust.org/cgi/pt?id=hvd.32044012431730;view=1up;seq=50 Part V], [http://babel.hathitrust.org/cgi/pt?id=hvd.32044012431730;view=1up;seq=216 Part VI], [http://babel.hathitrust.org/cgi/pt?id=hvd.32044012431730;view=1up;seq=381 Part VII], [http://babel.hathitrust.org/cgi/pt?id=hvd.32044012431730;view=1up;seq=505 Part VIII], [http://babel.hathitrust.org/cgi/pt?id=hvd.32044012431730;view=1up;seq=671 Part IX], &amp;#039;&amp;#039;The Dial,&amp;#039;&amp;#039; Vol. LXX, 1921.&lt;br /&gt;
* [https://archive.org/stream/cu31924027212301#page/n5/mode/2up &amp;#039;&amp;#039;The Book of Masks&amp;#039;&amp;#039;] (1921).&lt;br /&gt;
* &amp;#039;&amp;#039;A Virgin Heart&amp;#039;&amp;#039; (1921).&lt;br /&gt;
* [https://archive.org/stream/decadenceotheres00gouriala#page/n9/mode/2up &amp;#039;&amp;#039;Decadence, and Other Essays on the Culture of Ideas&amp;#039;&amp;#039;] (1922).&lt;br /&gt;
* [https://archive.org/stream/naturalphilosoph00gouriala#page/n1/mode/2up &amp;#039;&amp;#039;The Natural Philosophy of Love&amp;#039;&amp;#039;] (1922).&lt;br /&gt;
* [https://archive.org/stream/mrantiphilossaty00gourrich#page/n7/mode/2up &amp;#039;&amp;#039;Mr. Antiphilos, Satyr&amp;#039;&amp;#039;] (1922).&lt;br /&gt;
* [https://archive.org/stream/verywomansixtine00gouriala#page/n5/mode/2up &amp;#039;&amp;#039;Very Woman (Sixtine): A Cerebral Novel&amp;#039;&amp;#039;] (1922).&lt;br /&gt;
* &amp;#039;&amp;#039;Epigrams of Remy de Gourmont&amp;#039;&amp;#039; (1923).&lt;br /&gt;
* &amp;#039;&amp;#039;Stories in Yellow, Black, White, Blue, Violet, and Red&amp;#039;&amp;#039; (1924).&lt;br /&gt;
* &amp;#039;&amp;#039;Stories in Green, [[Zinzolin]], Rose, Purple, Mauve, Lilac, and Orange&amp;#039;&amp;#039; (1924).&lt;br /&gt;
* &amp;#039;&amp;#039;Dream of a Woman&amp;#039;&amp;#039; (1927). &lt;br /&gt;
* &amp;#039;&amp;#039;The Prostituted Woman: The Sexless One in the Singular Château&amp;#039;&amp;#039; (1929).&lt;br /&gt;
* &amp;#039;&amp;#039;Letters to the Amazon&amp;#039;&amp;#039; (1931).&lt;br /&gt;
* &amp;#039;&amp;#039;Lilith, a Play&amp;#039;&amp;#039; (1946).&lt;br /&gt;
* &amp;#039;&amp;#039;The Angels of Perversity&amp;#039;&amp;#039; (1992).&lt;br /&gt;
* &amp;#039;&amp;#039;French Decadent Tales&amp;#039;&amp;#039;, by Stephen Romer (2013).&lt;br /&gt;
* &amp;#039;&amp;#039;Miracle of Theophilius&amp;#039;&amp;#039; (2017).&lt;br /&gt;
* &amp;#039;&amp;#039;Phocas&amp;#039;&amp;#039; (2019).&lt;br /&gt;
* &amp;#039;&amp;#039;Steps upon the Sand&amp;#039;&amp;#039; (2020).&amp;lt;ref&amp;gt;Remy de Gourmont, &amp;quot;Steps upon the Sand,&amp;quot; tr. Fergus Cullen, &amp;#039;&amp;#039;Azure Bell&amp;#039;&amp;#039; (October 20, 2020).&amp;lt;/ref&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;The End of Art&amp;#039;&amp;#039; (2021).&lt;br /&gt;
{{div col end}}&lt;br /&gt;
&lt;br /&gt;
==Quotation==&lt;br /&gt;
{{French literature sidebar}}&lt;br /&gt;
&lt;br /&gt;
:Que tes mains soient bénies, car elles sont impures!&lt;br /&gt;
:Elles ont des péchés cachés à toutes les jointures;&lt;br /&gt;
:Leur peau blanche s&amp;#039;est trempée dans l&amp;#039;odeur âpre des caresses&lt;br /&gt;
:Secrètes, parmi l&amp;#039;ombre blanche où rampent les caresses,&lt;br /&gt;
:Et l&amp;#039;opale prisonnière qui se meurt à ton doigt,&lt;br /&gt;
:C&amp;#039;est le dernier soupir de Jésus sur la croix.&lt;br /&gt;
&lt;br /&gt;
:::::---Oraisons mauvaises&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==Further reading==&lt;br /&gt;
{{Refbegin|30em}}&lt;br /&gt;
* [[Richard Aldington|Aldington, Richard]] (1915). [https://library.brown.edu/pdfs/1288985927275125.pdf &amp;quot;Remy de Gourmont,&amp;quot;] &amp;#039;&amp;#039;The Little Review,&amp;#039;&amp;#039; Vol. II, No. 3, pp.&amp;amp;nbsp;10–13.&lt;br /&gt;
* [[Richard Aldington|Aldington, Richard]] (1919). [http://babel.hathitrust.org/cgi/pt?id=chi.47422279;view=1up;seq=717 &amp;quot;Remy de Gourmont,&amp;quot;] &amp;#039;&amp;#039;The Living Age,&amp;#039;&amp;#039; Vol. CCCIII, pp.&amp;amp;nbsp;665–668.&lt;br /&gt;
* [[Richard Aldington|Aldington, Richard]] (1919). [https://library.brown.edu/cds/repository2/repoman.php?verb=render&amp;amp;id=1298985987984377&amp;amp;view=pageturner&amp;amp;pageno=34 &amp;quot;Remy de Gourmont, After the Interim,&amp;quot;] &amp;#039;&amp;#039;The Little Review,&amp;#039;&amp;#039; Vol. V, No. 10/11, pp.&amp;amp;nbsp;32–34.&lt;br /&gt;
* [[Richard Aldington|Aldington, Richard]] (1928). &amp;#039;&amp;#039;Remy de Gourmont: A Modern Man of Letters.&amp;#039;&amp;#039; Seattle: University of Washington Book Store.&lt;br /&gt;
* Amalric, Jean-Claude (1984). &amp;quot;Shaw, Hamon, and Rémy de Gourmont,&amp;quot; &amp;#039;&amp;#039;Shaw,&amp;#039;&amp;#039; Vol. 4, pp.&amp;amp;nbsp;129–137.&lt;br /&gt;
* [[Kenneth Burke|Burke, Kenneth]] (1921). [http://babel.hathitrust.org/cgi/pt?id=hvd.32044012431730;view=1up;seq=169 &amp;quot;Approaches to Remy de Gourmont,&amp;quot;] &amp;#039;&amp;#039;The Dial,&amp;#039;&amp;#039; Vol. LXX, pp.&amp;amp;nbsp;125–138.&lt;br /&gt;
* Clayton, T. T. (1919). [https://library.brown.edu/cds/repository2/repoman.php?verb=render&amp;amp;id=1298985987984377&amp;amp;view=pageturner&amp;amp;pageno=29 &amp;quot;Le Latin Mystique,&amp;quot;] &amp;#039;&amp;#039;The Little Review,&amp;#039;&amp;#039; Vol. V, No. 10/11, pp.&amp;amp;nbsp;27–29.&lt;br /&gt;
* Cornetz, Victor (1922). [http://babel.hathitrust.org/cgi/pt?id=inu.32000000707713;view=1up;seq=117 &amp;quot;Remy de Gourmont, J.H. Fabre and the Ants,&amp;quot;] &amp;#039;&amp;#039;The Living Age,&amp;#039;&amp;#039; Vol. CCCXV, pp.&amp;amp;nbsp;105–110.&lt;br /&gt;
* [[Havelock Ellis|Ellis, Havelock]] (1915). &amp;quot;Remy de Gourmont,&amp;quot; &amp;#039;&amp;#039;The New Republic,&amp;#039;&amp;#039; Vol. V, No. 59, pp.&amp;amp;nbsp;166–167.&lt;br /&gt;
* [[Havelock Ellis|Ellis, Havelock]] (1936). [http://babel.hathitrust.org/cgi/pt?id=uc1.$b703781;view=1up;seq=319 &amp;quot;Remy de Gourmont.&amp;quot;] In: &amp;#039;&amp;#039;From Rousseau to Proust.&amp;#039;&amp;#039; London: Constable &amp;amp; Company, pp.&amp;amp;nbsp;307–327.&lt;br /&gt;
* [[Edmund Gosse|Gosse, Edmund]] (1922). [https://archive.org/stream/aspectsimpressio00gossrich#page/202/mode/2up &amp;quot;Two French Critics: Émile Faguet—Remy de Gourmont.&amp;quot;] In: &amp;#039;&amp;#039;Aspects and Impressions.&amp;#039;&amp;#039; London: Cassell &amp;amp; Company, pp.&amp;amp;nbsp;203–223.&lt;br /&gt;
* Greene, Henry Copley (1894). [http://babel.hathitrust.org/cgi/pt?id=hvd.32044107294258;view=1up;seq=126 &amp;quot;French Prose Symbolism,&amp;quot;] &amp;#039;&amp;#039;The Harvard Monthly,&amp;#039;&amp;#039; Vol. XVIII, pp.&amp;amp;nbsp;106–121.&lt;br /&gt;
* [[James Huneker|Huneker, James Gibbons]] (1917). [https://www.jstor.org/stable/25121546 &amp;quot;Remy de Gourmont,&amp;quot;] &amp;#039;&amp;#039;The North American Review,&amp;#039;&amp;#039; Vol. CCV, No. 739, pp.&amp;amp;nbsp;935–942.&lt;br /&gt;
* Jacob, Paul Emile (1931). [http://babel.hathitrust.org/cgi/pt?id=mdp.39015024050067;view=1up;seq=181 &amp;quot;Remy de Gourmont,&amp;quot;] &amp;#039;&amp;#039;Illinois Studies in Language and Literature&amp;#039;&amp;#039;, Vol. XVI, No. 2, pp.&amp;amp;nbsp;7–176.&lt;br /&gt;
* [[Joseph Wood Krutch|Krutch, Joseph Wood]] (1928). &amp;quot;The Nihilism of Remy de Gourmont,&amp;quot; &amp;#039;&amp;#039;The Nation&amp;#039;&amp;#039;, pp.&amp;amp;nbsp;357–359.&lt;br /&gt;
* [[Amy Lowell|Lowell, Amy]] (1915). [https://archive.org/stream/sixfrenchpoetsst00loweuoft#page/n127/mode/2up &amp;quot;Remy de Gourmont.&amp;quot;] In: &amp;#039;&amp;#039;Six French Poets.&amp;#039;&amp;#039; New York: The Macmillan Company, pp.&amp;amp;nbsp;105–146.&lt;br /&gt;
* [[Ludwig Lewisohn|Lewisohn, Ludwig]] (1916). [https://archive.org/stream/poetsmodernfran00lewigoog#page/n4/mode/2up &amp;#039;&amp;#039;The Poets of Modern France.&amp;#039;&amp;#039;] New York: B.W. Huebsch.&lt;br /&gt;
* Macy, John (1922). [https://archive.org/stream/criticalgame00macygoog#page/n156/mode/2up &amp;quot;Remy de Gourmont.&amp;quot;] In: &amp;#039;&amp;#039;The Critical Game.&amp;#039;&amp;#039; New York: Boni &amp;amp; Liveright, pp.&amp;amp;nbsp;153–159.&lt;br /&gt;
* [[Frederic Manning|Manning, Frederic]] (1919). [https://library.brown.edu/cds/repository2/repoman.php?verb=render&amp;amp;id=1298985987984377&amp;amp;view=pageturner&amp;amp;pageno=21 &amp;quot;M. De Gourmont and the Problem of Beauty,&amp;quot;] &amp;#039;&amp;#039;The Little Review,&amp;#039;&amp;#039; Vol. V, No. 10/11, pp.&amp;amp;nbsp;19–27.&lt;br /&gt;
* [[Giovanni Papini|Papini, Giovanni]] (1922). [https://archive.org/stream/fourtwentyminds00papirich#page/198/mode/2up &amp;quot;Remy de Gourmont.&amp;quot;] In: &amp;#039;&amp;#039;Four and Twenty Minds&amp;#039;&amp;#039;. New York: Thomas Y. Crowell Company, pp.&amp;amp;nbsp;198–207.&lt;br /&gt;
* Parker, Robert Allerton (1915). &amp;quot;Remy de Gourmont&amp;#039;s Criticism of Morality,&amp;quot; &amp;#039;&amp;#039;The Forum,&amp;#039;&amp;#039; Vol. LV, pp.&amp;amp;nbsp;593–600.&lt;br /&gt;
* [[Ezra Pound|Pound, Ezra]] (1916). [https://www.jstor.org/stable/20570672 &amp;quot;Remy de Gourmont,&amp;quot;] &amp;#039;&amp;#039;Poetry,&amp;#039;&amp;#039; Vol. VII, No. 4, pp.&amp;amp;nbsp;197–202.&lt;br /&gt;
* [[Ezra Pound|Pound, Ezra]] (1919). [https://library.brown.edu/cds/repository2/repoman.php?verb=render&amp;amp;id=1298985987984377&amp;amp;view=pageturner&amp;amp;pageno=3 &amp;quot;De Gourmont: A Distinction,&amp;quot;] &amp;#039;&amp;#039;The Little Review,&amp;#039;&amp;#039; Vol. V, No. 10/11, pp.&amp;amp;nbsp;1–19.&lt;br /&gt;
* [[John Cowper Powys|Powys, John Cowper]] (1916). [https://archive.org/stream/suspendedjudgme00powygoog#page/n234/mode/2up &amp;quot;Remy de Gourmont.&amp;quot;] In: &amp;#039;&amp;#039;Suspended Judgements.&amp;#039;&amp;#039; New York: G. Arnold Shaw, pp.&amp;amp;nbsp;225–254.&lt;br /&gt;
* [[Arthur Ransome|Ransome, Arthur]] (1913). [https://archive.org/stream/portraitsspecula00ransuoft#page/160/mode/2up &amp;quot;Remy de Gourmont.&amp;quot;] In: &amp;#039;&amp;#039;Portraits and Speculations.&amp;#039;&amp;#039; London: Macmillan &amp;amp; Co., pp.&amp;amp;nbsp;161–186.&lt;br /&gt;
* [[John Rodker|Rodker, John]] (1919). [https://library.brown.edu/cds/repository2/repoman.php?verb=render&amp;amp;id=1298985987984377&amp;amp;view=pageturner&amp;amp;pageno=31 &amp;quot;De Gourmont―Yank,&amp;quot;] &amp;#039;&amp;#039;The Little Review,&amp;#039;&amp;#039; Vol. V, No. 10/11, pp.&amp;amp;nbsp;29–32.&lt;br /&gt;
* [[Arthur Symons|Symons, Arthur]] (1919). [https://archive.org/stream/symbolistmovemen00symouoft#page/n9/mode/2up &amp;#039;&amp;#039;The Symbolist Movement in Literature.&amp;#039;&amp;#039;] New York: E.P. Dutton &amp;amp; Company.&lt;br /&gt;
{{Refend}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
{{Wikiquote}}&lt;br /&gt;
{{Wikisource}}&lt;br /&gt;
{{Commons category}}&lt;br /&gt;
* {{Gutenberg author |id=6996| name=Remy de Gourmont}}&lt;br /&gt;
* {{Internet Archive author |sname=Remy de Gourmont}}&lt;br /&gt;
* {{Librivox author |id=9584}}&lt;br /&gt;
* [https://www.jstor.org/action/doBasicSearch?filter=&amp;amp;Search=Search&amp;amp;wc=on&amp;amp;fc=off&amp;amp;globalSearch=&amp;amp;sbbBox=&amp;amp;sbjBox=&amp;amp;sbpBox=&amp;amp;Query=au:%22Remy+De+Gourmont%22&amp;amp;si=1 Works by Remy de Gourmont], at [[JSTOR]]&lt;br /&gt;
* [http://catalog.hathitrust.org/Search/Home?lookfor=%22Gourmont,%20Remy%20de,%201858-1915.%22&amp;amp;type=author&amp;amp;inst= Works by Remy de Gourmont], at [[HathiTrust]]&lt;br /&gt;
* [http://poesie.webnet.fr/auteurs/gourmont.html Selected Poems by Remy de Gourmont] {{Webarchive|url=https://web.archive.org/web/20090226174141/http://poesie.webnet.fr/auteurs/gourmont.html |date=2009-02-26 }} (in French)&lt;br /&gt;
* [http://www.remydegourmont.org/ Les Amateurs de Remy de Gourmont] (In French)&lt;br /&gt;
* [https://fortnightlyreview.co.uk/2014/05/problem-style/ Selections] (in English) from &amp;#039;&amp;#039;Le Probléme du Style&amp;#039;&amp;#039;&lt;br /&gt;
* [https://fortnightlyreview.co.uk/2014/03/ezra-pound-remy-de-gourmont/ Ezra Pound on Remy de Gourmont]&lt;br /&gt;
* [https://fortnightlyreview.co.uk/2014/05/secular-monk/ Richard Aldington on Remy de Gourmont]&lt;br /&gt;
&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Gourmont, Remy De}}&lt;br /&gt;
[[Category:1858 births]]&lt;br /&gt;
[[Category:1915 deaths]]&lt;br /&gt;
[[Category:People from Orne]]&lt;br /&gt;
[[Category:Writers from Normandy]]&lt;br /&gt;
[[Category:19th-century French novelists]]&lt;br /&gt;
[[Category:20th-century French novelists]]&lt;br /&gt;
[[Category:French poets]]&lt;br /&gt;
[[Category:Symbolist novelists]]&lt;br /&gt;
[[Category:Symbolist poets]]&lt;br /&gt;
[[Category:Burials at Père Lachaise Cemetery]]&lt;br /&gt;
[[Category:French male poets]]&lt;br /&gt;
[[Category:19th-century French male novelists]]&lt;br /&gt;
[[Category:20th-century French male novelists]]&lt;/div&gt;</summary>
		<author><name>Deleatur yhe</name></author>
	</entry>
</feed>