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==Reception==
==Reception==
An anonymous reviewer in ''The Virginia Quarterly Review'' writes: "Like Beckett, with whom he has marked affinity, Pinget concerns himself with the
An anonymous reviewer in ''The Virginia Quarterly Review'' writes: "Like Beckett, with whom he has marked affinity, Pinget concerns himself with the
timbre of human speech in its more problematic self-definitions. Apart from ''L'Inquisitoire'', ''Libera Me Domine'' is Pinget's most notable accomplishment,and one which challenges the assimilative ingenuity of the cleverest reader of contemporary fiction."<ref>''The Virginia Quarterly Review'', Summer 1979, Vol. 55, No. 3, p. 98.</ref>
timbre of human speech in its more problematic self-definitions. Apart from ''L'Inquisitoire'', ''Libera Me Domine'' is Pinget's most notable accomplishment,and one which challenges the assimilative ingenuity of the cleverest reader of contemporary fiction."<ref>[https://www.jstor.org/stable/26436285 ''The Virginia Quarterly Review'', Summer 1979, Vol. 55, No. 3, p. 98.]</ref>
==References==
==References==
{{reflist}}
{{reflist}}

Revision as of 00:31, 29 September 2026

The Libera me Domine
Cover of the first edition
AuthorRobert Pinget
Original titleLe Libera
TranslatorBarbara Wright
LanguageFrench
GenreNovel
PublisherÉditions de Minuit
Calder & Boyars
Red Dust
Publication date1968
Publication placeParis
Published in English
1972
Media typePrint
Pages215
ISBN9780714503394
LC ClassPZ4.P653 Li

Le Libera (Éditions de Minuit, 1968), translated as The Libera Me Domine, is the ninth novel by Swiss-born French writer Robert Pinget. The title is a reference to a Catholic liturgical chant sung at funerals ("Libera me, Domine, de morte æterna, in die illa tremenda" which translates as "Deliver me, O Lord, from death eternal on that fearful day").[1]

The novel was translated into English by Barbara Wright for Calder and Boyars in 1972.[2]. The Red Dust edition includes a note from the author at the end of the text, not present in the original French.

Background and composition

Plot summary

Reception

An anonymous reviewer in The Virginia Quarterly Review writes: "Like Beckett, with whom he has marked affinity, Pinget concerns himself with the timbre of human speech in its more problematic self-definitions. Apart from L'Inquisitoire, Libera Me Domine is Pinget's most notable accomplishment,and one which challenges the assimilative ingenuity of the cleverest reader of contemporary fiction."[3]

References

🇫🇷 This article about a French novel is a stub 📚